1. CG/Mold/CAD/CAM/CAE/CFD/EDA/Science/Geological/Structure/Transportation Anything you need, just email to: kelikeli@bk.ru
2. We supply too many latest softwares, the software list is not full, just email for more list.
3. We will supply it and help you to run it step by step.
4. If you need a latest software version, please email to: kelikeli@bk.ru
5. 2020 Design V9.0.2.318
6. 3DQuickForm v3.1.1 for SW2009-2012 Win64 1CD
7. 3DQuickMold 2011 SP1 for SolidWorks 2009-2012 Win32_64-ISO 1CD
8. 3DQuickMold 2012 for Solidworks Win32_64
9. 3DQuickPress 5.2.1 for SolidWorks 2009-2012 Win32 1CD
10. 3DQuickPress v5.2.1 Chinese Edition for SolidWorks 2009-2012
11. 3DQuickPress v5.2.1 CHS for SolidWorks 2009-2012 Win32 1CD
12. 3DQuickPress v5.2.1 CHS for SolidWorks 2009-2012 Win64 1CD
13. 3DQuickPress v5.2.1 CHT for SolidWorks 2009-2012 Win32 1CD
14. 3DQuickPress v5.2.1 CHT for SolidWorks 2009-2012 Win64 1CD
15. Able.Software.3D-Doctor.v4.0.20110710 1CD
16. Adina v8.8 Win64 1CD
17. Agilent GeneSpring GX 11.5 LINUX32
18. Agilent.Advanced.Design.System.v2011.10(ADS2011.10)
19. Altium Designer 10.890.23450-ISO 1DVD
20. Ansoft PExprt v7.0-ISO 1CD
21. Ansys 14.0 Linux64-ISO 2DVD
22. Applied.Flow.Technology.Fathom.v7.0.2012.01.06
23. ARM DS5 with RVCT v5.7-ISO 1CD
24. Autodesk Moldflow 2012 SP2 Update Only Win32_64 1CD
25. Autodesk.Alias.Automotive.v2013.Win32-ISO 1DVD
26. AUTODESK.ALIAS.DESIGN.V2013
27. AUTODESK.ALIAS.SURFACE.V2013
28. Autodesk.Alias.Surface.v2013.Win64-ISO 1DVD
29. Autodesk.AutoCAD.Architecture.v2013.Win32-ISO 1DVD
30. Autodesk.AutoCAD.Architecture.v2013.Win64-ISO 1DVD
31. Autodesk.AutoCAD.Electrical.v2013-Win32-ISO 1DVD
32. AUTODESK.AUTOCAD.MECHANICAL.V2013
33. Autodesk.AutoCAD.Mechanical.v2013.Win64-ISO 1DVD
34. Autodesk.AutoCAD.MEP.v2013.Win32-ISO 1DVD
35. AUTODESK.AUTOCAD.V2013
36. AUTOFORM PLUS 4.6 R3.1 LINUX
37. AutoForm Plus R3.1 (v4.6)
38. AutoForm Plus R3.1 v4.6 Win32-ISO 1DVD
39. Avenza.Geographic.Imager.v3.4 1CD
40. BassBox Pro v6.0.22 1CD
41. Bentley OpenPlant Modeler V8i 08.11.07.516 1CD
42. Bentley.Staad.Pro.v8i.Select.series 2.v20.07.07.19 1CD
43. Boris FX 9.2.3
44. CAD.Viewer.v9.0.A.32.Network.Edition 1CD
45. Cadence SPB OrCAD 16.5.015 Update Only 1CD
46. Cadence SPB OrCAD 16.5.017 (Allegro SPB) Hotfix 1CD
47. Cadence SPB OrCAD v16.50.018.Update.Only 1CD
48. CAMWorks 2012 SP1.1 for SolidWorks 2011-2012 Win32 1CD
49. CAMWorks 2012 SP1.1 for SolidWorks 2011-2012 Win64 1CD
50. CATIA.v5R21.SP3.Update.Only.Win64-ISO 1DVD
51. CEI.Ensight.Gold.v10.0.1a.Linux.Debian 1CD
52. CEI.Ensight.Gold.v10.0.1a.MacOSX 1CD
53. CEI.Ensight.Gold.v10.0.1b.Linux.Debian 1CD
54. CEI.Ensight.Gold.v10.0.1b.MacOSX 1CD
55. CEI.Ensight.Gold.v10.0.1b.Redhat.Linux.X64 1CD
56. Chempute.Instrument.Engineering.Calculations(InstruCalc).v8.1.0
57. Cohesion AMS Designer v6.0 1CD
58. Compilerfor STMicroelectronics STM8 Cosmic CxSTM8 4.2.8 1CD
59. CSI Bridge v15.20 1DVD
60. CSi SAFE v12.3.2 1CD
61. DatamineStudiov3.20.5321.0-ISO 1CD
62. Delcam PowerShape 2012 SP4 Update Only Win32_64 2CD
63. Delcam PowerSHAPE ToolMAKER Catalogs 2011 R1 SP1 W.
64. DGB.OpendTect.Commercial.v4.2.0i.LINUX.X64 1CD
65. DGB.OpendTect.Commercial.v4.2.0i.Win32 1CD
66. Dolphin Integration Smash 5.18.1 1CD
67. Encom PA Professional v 12.0.10.0 Full 1CD
68. Eplan Electric P8 2.1 SP1.0 Win32_64 1DVD
69. Esri CityEngine Advanced 2011.2 Build 120125 Win64 1CD
70. FeatureCam 2012 R2 SP2 v18.6.0.29 Win32 1CD
71. Fikus VisualCAM 16.2.10 1CD
72. Flow.Architect.Studio.3D.v1.6.0
73. Gemcom.Minex.V6.1.1
74. Geometric Technologies eDrawings 2011 Pro 32_64 1CD
75. Geostru Hydrologic Risk v2012 16.0.348 Win32 1CD
76. GeoStru Slope 2012.15.0.835 1CD
77. Golden Software Surfer v10.7.972 Win32 1CD
78. Golden.Software.Grapher.v9.2.612
79. Golden.Surfer.v10.7.972
80. Graitec.Advance.Suite.2012-ISO 1DVD
81. HSMWorks 2012 R3.29288 for SolidWorks 2007-2012 Win32 1CD
82. HSMWorks 2012 R3.29288 for SolidWorks 2007-2012 Win64 1CD
83. Idrisi.Selva.V17
84. Intergraph SmartPlant 3D 2009-ISO 1DVD
85. Interpex.IX2D.GM.v1.02
86. KEIL MDK-ARM v4.23 1CD
87. Kubotek KeyCreator 2011 10.0.2 Win64 1CD
88. Lambda TracePro 7.1.0 Win64
89. Landmark Geographix Discovery R5000.020 2CD
90. Landmark.GeoGraphix.Discovery.v5000.0.2.0.build.8183
91. Logopress3 2012 SP0.2 for SolidWorks 2011-2012 1CD
92. LPKF CircuitCAM 6.1.5 build 1159 1CD
93. Marcam Engineering AutoFab 1.6.8623
94. Marcam Engineering VisCAM Mesh 5.2.8600
95. Mastercam X6 v15.0.13.6 for SolidWorks Final Win32_64 2CD
96. Mathworks.Matlab.R2012a.UNIX-ISO 1DVD
97. MecSoft.Corporation.VisualMILL.incl.VisualCAD.2012.v2.0.53
98. MecSoft.Corporation.VisualMILL.incl.VisualCAD.2012.v2.0.53 1CD
99. MedCalc.v12.2.1.0.Win64 1CD
100. Mentor Graphics Expedition Enterprise Flow(EE) v7.9.3 + DMS7.9.3 Win32 1DVD
101. Micromine.GBIS.v7.8.0
102. MSC MD Adams 2012 Win32 1DVD
103. MSC.ADAMS.V2012
104. MSC.MD.Nastran.v2011.11
105. MSC.PATRAN.V2011
106. Nemetschek Allplan 2012 01 Multilanguage-ISO 1DVD
107. NI.Circuit.Design.Suite(Multisim).v12.0 1CD
108. NI.Circuit.Design.Suite.Power.Pro.V12.0 (Multisim 12)
109. Norsar 2D v5.16 Linux 1CD
110. Number One Systems Easy-PC PCB 15.03.0 1CD
111. Optiwave.OptiFiber.v2.1.0.145
112. OriginLab.OriginPro.v8.6.SR1
113. PADS v9.4-ISO 1DVD
114. ParkCAD v4.0.1.125 for Transoft AutoTURN 3D 8.0.1 1CD
115. PCStitch.v10.00.017 1CD
116. PGI.Workstation.Complete.v12.3.Win32 1CD
117. Pipeline Toolbox 2011 v13.0 Enterprise 1CD
118. Piping Systems FluidFlow v3.22.5 1CD
119. Pitney.Bowes.MapInfo.Professional.v11.0.4.404
120. PLANIT.EDGECAM.V2012.R1
121. Plexim.Plecs.Standalone.v3.2.6.for.Linux64 1CD
122. Plexim.Plecs.Standalone.v3.2.6.for.Win32 1CD
123. PocketStatics 2.01 for Pocket PC 2002 (Windows Mobile 3.0) 1CD
124. PocketStatics 2.01 for Pocket PC 2003 (Windows Mobile 4.0) 1CD
125. PocketStatics 2.01 for Windows Mobile 5.0 (including Phone Edition) 1CD
126. PocketStatics 2.01 for Windows Mobile 6.0 (including Phone Edition) 1CD
127. Pointwise.v17.0.R1.Win32 1CD
128. PowerMILL 2012 SP4-ISO 1DVD
129. Process.Systems.Enterprise.gPROMS.v3.51
130. ProfiCAD.v6.7
131. PROKON.V2.5.21
132. Proton Development Suite v3.5.2.7 1CD
133. PTC Mathcad Prime 2.0 F000 Win32 Multilanguage-ISO 1DVD
134. PTC Mathcad Prime 2.0 F000 Win64 Multilanguage-ISO 1DVD
135. PVsyst.v5.55.Multilingual 1CD
136. Rocscience.Settle3D.v2.013
137. SAP Visual Enterprise Author v7.0.2.65 Win64 1CD
138. SAS.JMP.Statistical.Discovery.v10.0 1CD
139. Schlumberger GeoFrame 4.5 Linux-ISO 7CD
140. Schlumberger Techlog 2011.2.1 revision 94585 Win32_64 2CD
141. SDI CGM Office 3.01.20 1CD
142. Sidra Intersection v5.1 1CD
143. Siemens.FEMAP.v10.3.1.with.NX.Nastran
144. Sigrity.SpeedXP.Suite.V11.1.2x86
145. Simulayt Composites Modeler for SolidWorks2010-2012
146. Solidcam 2011 SP5 for SolidWorks 2009-2012 Win32 1DVD
147. Solidcam 2011 SP5 for SolidWorks 2009-2012 Win64 1DVD
148. SXFTools v2.2 1CD
149. SynaptiCAD.Product.Suite.v17.01g 1CD
150. Synopsys Hspice vF-2011.09 SP1 Win32 1CD
151. Synopsys IC Compiler vF-2011.09 SP3 LinuxAMD64 1CD
152. Synopsys.Hspice.F-2011.09 win
153. Tajima DGML by Pulse 12.2.6.3780 1CD
154. Tekla Structures 18.0 Win64 1DVD
155. THINK3.THINKDESIGN.V2011.6
156. Thunderhead.Engineering.PyroSim.v2011.1.1409 1CD
157. Thunderhead.Engineering.PyroSim.v2011.1.1409.X64 1CD
158. TopoLT.v10.3
159. Trafficware Synchro Studio v7.1 1CD
160. Transoft GuidSign 6.0-ISO 1CD
161. Transoft InVision v2.0 for Roads-ISO 1CD
162. Transoft Torus 3.0 for AutoCAD 2010 Win32-ISO 1CD
163. ULTRA Librarian Gold v3.0.1034 1CD
164. VMGThermo.V6.0
165. VSG Avizo 7.0.0 Linux64
166. VSG Avizo 7.0.0 WIN32
167. Weatherford Field Office 2011 Pansystem 2011 v4.0.39 and Wellflo 2011 v5.2.0.11
168. Xilinx.ISE.Design.Suite.v13.4.Linux-ISO 1DVD
169. 3D-LookStailorX v1.1.0 1CD
170. Adina System v8.8.1 Win32 1CD
171. Adobe.Photoshop.CS6.v13.0 1DVD
172. Ansoft HFSS v14.0 win32_64 Full-ISO 2CD
173. Ansoft SIwave v6.0 Win32-ISO 1CD
174. Applied.Flow.Technology.Impulse.v4.0.2012.03.22 1CD
175. Aspen Petroleum Supply Chain v7.3.0.3 1DVD
176. ATIR.Strap.2011.Beamd.2010 1CD
177. Autodesk Mudbox v2013 Multilanguage Win64 1CD
178. Autodesk.AutoCAD.Civil3D.v2013.Win64-ISO 1DVD
179. Autodesk.AutoCAD.Map3D.v2013.Win32-ISO 1DVD
180. Autodesk.AutoCAD.P & ID.v2013.Win32-ISO 1DVD
181. Autodesk.AutoCAD.Structural.Detailing.v2013.Win32-ISO 1DVD
182. Autodesk.AutoCAD.Structural.Detailing.v2013.Win64-ISO 1DVD
183. Autodesk.Infrastructure.Modeler.v2013.Win32-ISO 1DVD
184. Autodesk.Infrastructure.Modeler.v2013.Win64-ISO 1DVD
185. Autodesk.NavisWorks.Manage.v2013.Multi.Win32-ISO 1DVD
186. Autodesk.NavisWorks.Manage.v2013.Multi.Win64-ISO 1DVD
187. Autodesk.Revit.Architecture.v2013-ISO 1DVD
188. Autodesk.Revit.v2013-ISO 1DVD
189. Barudan Punchant v7.0-ISO 1CD
190. Bentley FlowMaster 08.11.01.03 1CD
191. Bentley ProSteel V8i 08.11.00.19 AutoCAD Service Pack 2 1CD
192. Bentley.MicroStation V8i 08.11.09.03 Prerequisites 1CD
193. Bentley.MicroStation.V8i 08.11.09.292 1DVD
194. CAMWorks 2012 SP1.3 for SolidWorks 2011-2012 Win32_64 2CD
195. CEI.Ensight.Gold.v10.0.2b.Linux.Debian 1CD
196. CEI.Ensight.Gold.v10.0.2b.MacOSX 1CD
197. CEI.Ensight.Gold.v10.0.2b.Redhat.Linux.X64 1CD
198. Cgtech Vericut v7.15 1CD
199. Delcam Crispin Engineer Pro 2011 R2 SP5 1CD
200. Delcam Crispin PatternCut 2012 R1 SP3 1CD
201. Delcam Crispin ShoeMaker 2012 R2 1CD
202. Delcam Exchange 2012 R4 CR691004 1CD
203. DGB.OpendTect.Commercial.v4.2.0j.Linux 1CD
204. DGB.OpendTect.Commercial.v4.2.0j.MacOSX 1CD
205. DipTrace 2.2 1CD
206. Feko v6.1.1 Win32 1CD
207. Freeship v3.30 Full 1CD
208. Gemin X8 R09.01 1CD
209. IAR Embedded Workbench for STMicroelectronics STM8 1.30.2 1CD
210. IMSI.Drawing.Compare.v2.0 1CD
211. IMSI.TurboCAD.Pro.Platinum.v19.0.x64 1CD
212. Inventor.Pro.v2013.Win64-ISO 1DVD
213. Keil MDK-ARM v4.50 1CD
214. Landmark CasingSeat 2000.0 1CD
215. LMS.Imagine.LAB.Amesim.R11-ISO 1DVD
216. MapperG for MapInfo Professional v2.5.0 1CD
217. MasterCAM X6 MU1 Update Only Win64 1CD
218. Microstran Limcon v3.60.120403 1CD
219. MPLAB C18 小30 小32 C Compiler's 2012 1CD
220. Numeca.Fine.Suite.v8.9.1 1DVD
221. PCI Geomatica 2012 SP1 Win64 1CD
222. PGI.Workstation.Complete.v12.4.X64 1CD
223. PipeFlow.Expert.2010.v5.12.1.1 1CD
224. Pixelplan.Flow.Architect.Studio.3D.v1.6.2 1CD
225. Plexim.Plecs.Standalone.v3.2.7.for.Linux64 1CD
226. Plexim.Plecs.Standalone.v3.2.7.for.Win32 1CD
227. PowerShape 2012 SP6 Win32 Update Only 1CD
228. Proflt.v10.4 1CD
229. PTC Cre Expert Moldbase Extension (EMX) 7.0 Win32_64 1CD
230. PTC Creo Schematics (ex Routed Systems Designer) 2.0 F000 Win32 1CD
231. PTC Expert Framework Extension (EFX) 7.0 M010 Win32_64 1CD
232. Pythagors V12 Multilanguage 1CD
233. ShipPower v1.0 1CD
234. Silvaco TCAD 2012 Win32_64 1DVD
235. SolidCAM 2011 SP6 Multilanguage for SolidWorks 2009-2012 Win32_64 2DVD
236. Sonnet Suite Pro v13.55 Win32 1CD
237. Synopsys Synplify vF-2012.03 Linux32_64 2DVD
238. TechWiz LCD 3D v15.0.10.1202-ISO 1CD
239. Tecplot.360.2012.R1.v14.0.0.25097.64.MacOSX 1CD
240. Tecplot.360.2012.R1.v14.0.0.25097.Linux.MacOSX 1DVD
241. Tecplot.Focus.2012.R1.v14.0.0.25097 1CD
242. Tecplot.Focus.2012.R1.v14.0.0.25097.Linux.MacOSX 1CD
243. TOPSOLID.v2012-ISO 2DVD
244. USM3 v1.04 1CD
245. Ansoft.Simplorer.V10
246. ASPENONE.V7.3.2
247. AUTODESK.ALIAS.DESIGN.V2013
248. AUTODESK.AUTOCAD.ARCHITECTURE.V2013
249. AUTODESK.AUTOCAD.ECSCAD.V2013
250. AUTODESK.AUTOCAD.MAP3D.V2013
251. AUTODESK.AUTOCAD.MEP.V2013
252. AUTODESK.AUTOCAD.PNID.V2013
253. AUTODESK.AUTOCAD.UTILITY.DESIGN.V2013
254. AUTODESK.BUILDING.DESIGN.SUITE.ULTIMATE.V2013
255. AUTODESK.ENTERTAINMENT.CREATION.SUITE.ULTIMATE.V2013
256. AUTODESK.INFRASTRUCTURE.DESIGN.SUITE.ULTIMATE.V2013
257. AUTODESK.NAVISWORKS.MANAGE.V2013
258. AUTODESK.PLANT.DESIGN.SUITE.ULTIMATE.V2013
259. AUTODESK.QUANTITY.TAKEOFF.V2013
260. AUTODESK.REVIT.MEP.V2013
261. AUTODESK.REVIT.V2013
262. AUTODESK.ROBOT.STRUCTURAL.ANALYSIS.PRO.MULTI.V2013
263. AUTODESK.SIMULATION.MULTIPHYSICS.V2013
264. AUTODESK.SOFTIMAGE.V2013
265. AVL.CRUISE.V2010.0.2
266. Bentley.FlowMaster.V08.11.01.03
267. Bentley.MicroStation.V8i(SELECTseries3).08.11.09.292
268. Cadence.SPB.OrCAD.v16.5
269. Delcam.Crispin.Engineer.Pro.V2011R2SP5
270. Delcam.Crispin.PatternCut.V2012R1SP3
271. Delcam.Crispin.ShoeMaker.V2012R2
272. ENSOFT.LPILE.V2012.6.29
273. IMSI.DesignCAD.3D.Max.v21.2
274. IMSI.TurboCAD.Pro.Platinum.v19.0
275. LMS.IMAGINE.LAB.AMESIM.R11
276. MISSLER.TOPSOLID.V2012
277. NI.Circuit.Design.Suite.Power.Pro.V12.0 (Multisim 12)
278. Paulin.Research.Group.V2010(contain FEPIPE6.0,Nozzle8.0)
279. Pointwise.v17.0.R1
280. SAS.JMP.Statistical.Discovery.v10.0
281. SIMSCI.PIPEPHASE.V9.5
282. SolidCAM 2011 SP6 Multilanguage for SolidWorks 2009-2012
283. SPACECLAIM.V2012
284. Tecplot.360.2012.R1.v14.0.0.25097
285. TopoLT.v10.3
286. FTI Forming Suite 8.2
287. StructurePoint spWall 3.6
288. StructurePoint spBeam 3.18
289. Flaresim 3.0.2
290. SPT Group OLGA 7.0.0
291. Mentor Graphics HyperLynx 8.2 Win32
292. Delcam Crispin ShoeCost 2011 R1
293. Delcam Crispin Engineer Pro 2011 R2 SP5
294. Delcam Crispin ShoeMaker 2012 R2
295. COMSOL Multiphysics 4.2 with UPDATE2
296. Gemcom Surpac 6.22
297. Mastercam X6 SP0 v15.0.4.3 Win32
298. Intel Fortran Compiler XE 2011.7.256 LINUX
299. Intel Visual Fortran Compiler XE 2011.7.258
300. Intel C++ Compiler XE 2011.7.256 LINUX
301. NewTek LightWave 11.0 Win64
302. Pointwise 17.0 R1 Win64
303. CEDRAT GOT-It 1.0
304. VSG Open Inventor 8.6.0 C.Plus.Plus for VS2010 Win
305. Schrodinger Suite 2011
306. KISSSOFT REL 03-2011
307. VSG Open Inventor v8.6.0 C Plus Plus for VS2k5
308. VSG Open Inventor v8.6.0 C Plus Plus for VS2k5 x64.
309. 3D World Studio 5.6
310. Quick3D Professional 4.0
311. FeatureCAM 2012 R2 SP0 v18.4.1.32 Win32_64 2CD
312. Flo52
313. Geomagic.Studio.v2012.Win64
314. HDL.Design.Entry.EASE.v7.4.R7.for.Linux
315. HDL.Works.HDL.Companion.v2.5.R3.for.Linux
316. HSMWorks 2012 R2.28345 for SolidWorks 2007-2012 Win32
317. HSMWorks 2012 R2.28345 for SolidWorks 2007-2012 Win64
318. IAR Embedded Workbench for ARM v6.30.4
319. IAR Embedded Workbench for MSP430 v5.40.3
320. IAR Embedded Workbench for Renesas M16C R8C v3.50.5
321. IBM.SPSS.Visualization.Designer.v1.0.3
322. Idrisi Product v17.0
323. Interpex.IX1D.v3.50
324. KISSsoft.v03.2011K
325. Laker v2011.06 Linux32
326. Landmark Geographix Discovery R5000.020
327. Leica Cyclone v7.3.2 Win32
328. Leica.Cyclone.v7.32.Win64
329. MagiCAD.2010.11.for.Revit.MEP.2011.Win32
330. Mastercam X6 SP0 v15.0.4.3 Win64
331. Michlet v9.20
332. MoldWorks 2011 SP2.1 for SolidWorks 2011-2012 Win32
333. MoldWorks 2011 SP2.1 for SolidWorks 2011-2012 Win64
334. MSC.Patran.v2011-ISO 3DVD
335. Nemetschek.Allplan.BCM.v2012.MultiLanguage-ISO
336. Optiwave Systems OptiBPM v11.0.1.517
337. Optiwave Systems OptiFiber v2.1.0.145
338. Optiwave Systems OptiSPICE v2.0.1.202
339. Pansystem 2011 v4.0.39 and Wellflo 2011 v5.2.0.11
340. Piping System Fluidflow v3.22.4
341. Plexim.Plecs.Standalone.v3.2.4.for.Linux64
342. Plexim.Plecs.Standalone.v3.2.4.for.Win32
343. Plexscape Plexearth v2.5
344. Pointwise.v16.04 R5.X64
345. PowerShape 2012 SP2 Win32 Update Only
346. PrimCAM v2.93
347. ProCAD 3DSMART 2011 build 2011.12.14 v11.0.0.2 Win64
348. ProCAD.2D.Designer.2010.Build.2011.06.13.Win32_64-ISO
349. Pumpcalc v7.00-ISO
350. Quantumwise.Atomstix.Toolkit.v11.8.2
351. RealPic Simulator v1.3.0.0
352. Rocscience Slide 6.014
353. Schlumberger.Interactive.petrophysics.v4.0-ISO
354. Schrodinger Suite 2011 Update1 Win64
355. Settle3D v2.013
356. Siemens Femap 10.3.1 with NX Nastran v8p1 Win32_64-ISO
357. Siemens NX 8.0.1.5 Update Only Win64
358. Siemens.PLM.NX.v8.0.Chinese.Documentation-ISO
359. Smartplant 3D v6.0 for WinXP
360. SolidCAM 2011 SP4 for SolidWorks 2009-2012 Win32
361. Spaceclaim 2011 Plus SP1 Win32_64
362. SplitWorks 2011 SP0.1 for SolidWorks 2011-2012 Win32
363. SplitWorks 2011 SP0.1 for SolidWorks 2011-2012 Win64
364. Strata Design 3D CX v7.02
365. Synopsys.SYN.vE-2010.12.SP2.Linux
366. Thunderhead.Engineering.PyroSim.v2011.1.1219
367. Toon Boom Harmony 9.2.0 Build 6846
368. VSG Avizo v7.0.0 MacOSX
369. Wilcom Embroidery Studio e1.5 SP1-ISO
370. Xceed.Ultimate.Suite.v11.4.11525.1644
371. Xilinx.ISE.Design.Suite.v13.4-ISO
372. Zeataline.PipeData.PRO.v8.1.39
373. Slide.v5.03
374. SLPS.Matlab.Simulink.To.Pspice.Interface.v2.65.5.rar.
375. SlySoft.AnyDVD.HD.v6.1.8.4.WinALL.Keygen.and.Patch.Only-BRD.
376. SmartAnalysis.v5.0.WiNNT2K
377. Smartcam.11.5
378. SmartCAM.R11.5
379. SmartCUT.Pro.v2.5.1.1
380. SmartDraw.Healthcare.v2008.Incl.Keygen.
381. smartdraw.suite.7.50
382. Smarteam.PDM.v4.0.SP6.0-ISO
383. SmarTeam.Viewer.170105
384. SmartHolefinder.v5.0.WiNNT2K
385. SmartMenu.v5.0.WiNNT2K
386. SmartPurger.v1.6.7.WinALL
387. SmartXhatch.v5.0.WiNNT2K
388. Smith.Micro.Poser.v8.0.+.Video.Tutorials-ISO.1DVD3D.
389. SMT.Kingdom.Suite.8.5.Win32
390. Snapfire.Plus.Multi6.
391. Snopysy.DesignWare.System-Level.Library.vD-2009.12-SP2.Linux.1DVD
392. Soc.Encounter.V8.1.for.linux
393. sodius.rhapsody.in.ada.code.generator.v7.0.15
394. Sodius.XMI.toolkit.for.Rhapsody.v7.0.13
395. Sofistik.v23.
396. SofTech.DesignGateway.v2002-8
397. Softelec.VPstudio.V10.03.C8
398. SoftIce.Driver.Suite.3.0.1
399. SoftNews.DataLife.Engine.v8.2.Final
400. SoftPlotter.v4.1.with.Airfiled-ISO
401. softree.terrian.tools.v4
402. SOFTTECH.STRUDS.2009.v4.1.0.Advanced
403. SoftWare.CRADLE.SC.Tetra.v7.
404. Softwin.BitDefender.Internet.Security.10.build.108
405. Sokkia.Mapsuite+.v3.0.build.304-ISO
406. SolarWinds.CATV.Engineers.Edition.v1.0
407. SolarWinds.Engineers.Edition.Toolset.v8.1.Incl.Keymaker-ZWT
408. SOLID.CONCEPT.V3.30
409. Solid.Designer.2002.
410. Solid.Thinking.v4.0
411. Solid2000.v5.3-ISO
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417. SolidThinking.LT.v5.0
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420. Solidworks.COSMOSM.2008.SP2.1
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455. midas.gen2011.
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460. mikroBasic.for.dsPIC30-33.and.PIC24.v6.0.0.0
461. MikroBasic.Pro.PIC.2009.v2.15
462. MikroC.Pro.for.AVR.2008.v1.35
463. mikroElektronika.mikroBasic.for.PIC.v7.0.0.2-rG.
464. MikroElektronika.MikroC.for.dsPIC.30-33.and.PIC.24.v4.0.0.0
465. mikroelektronika.mikroc.for.pic.v5.0.3.winall.retail-arn
466. MikroElektronika.mikroC.PRO.for.PIC.2009.v2.15
467. MikroPascal.Pro.PIC.2009.v2.15
468. Milestones.Pro.2004
469. Mill.Program.Editor.v1.2
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476. MiniTAB.v16.1.1
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478. MiPACS.Dental.Enterprise.Solution.v3.1.
479. mirostation.j.7.1
480. MISSLER.TOPSOLID.V2011.WIN32
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514. MoldWorks.2011.SP2.0.Win32.
515. Molecular.Biology.Insights.Oligo.v7.51
516. Molecular.Operating.Environment.v2008.10.
517. Molegro.Virtual.Docker.2010.v4.1.0
518. Molsoft.ICM.BrowserPro.3.4-9a.Linux.
519. Gaussian.03W
520. Gaussian.GaussView.v5.08.
521. Gcap.v8.2
522. GC-POWERPLATFORM.9.1.2
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526. Gedco.Omni.3D.Design.V11.0
527. Gedco.Vista.Seismic.Processing.V11.0
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529. Gehry.Technologies.Digital.Project.v1R4.x86+x64
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560. Geographic.Transformer.5.1.+.keygen.rar.
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564. GEOMAGIC.ESHELL.V8.
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567. GeoMap.v3.6-ISO
568. GEOMATIC.STUDIO.V10.SR1-LND.
569. geomedia.transportation.analyst.5.for.geomedia.pro
570. geomedia.transportation.manager.5.for.geomedia.pro
571. Geometric.DFMPro.for.SolidWorks.v2.1.SP3.build.2.1.2.360.Win32SolidWorks
572. Geometric.DFMPro.for.SolidWorks.v2.1.SP3.build.2.1.2.360.Win64
573. Geometric.GeomCaliper.for.CATIA.V5.R2.3
574. Geometric.Global.DFMPro.2008.SP1.1.v1.0.166
575. Geometric.Software.eDrawings.Professional.for.Catia.v3.0
576. Geometric.Software.eDrawings.Professional.for.Inventor.v2.0
577. Geometric.Software.eDrawings.Professional.for.Pro.ENGINEER.v3.0
578. Geometric.Software.eDrawings.Professional.for.SolidEdge.v1.0
579. Geometric.Software.eDrawings.Professional.for.UG.NX.v2.0
580. Geometric.Technologies.eDrawings.2011
581. GEO-Metriks.101.Bridges
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599. CADTooLs.v6.0.for.Solidedge-ISO
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604. CAEFEM.v9.3
605. CAE-Link.Noting.Utilities.for.ACAD.2006-2010
606. CAESAR.2011.v5.30.1-ISO.1DVD
607. Cakewalk.Home.Studio.2004
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609. Calcusyn.v2.0
610. calibre.V2008.1.20.linux.x86.
611. caligari.gamespace.1.5
612. Caligari.TrueSpace.for.IntelliCAD.v5.1
613. Calyx.Point.v6.0.Incl.Keygen-SSG.
614. Cam.Analyzer.v3.2.B.011.
615. CAM.Expert.v2.0.4.0
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618. cambridge.animation.systems.animo.v6.0
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620. CambridgeSoft.ChemOffice.2010.v12.ChemOffice
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624. CAMIO.STUDIO.INSPECT.V4.2
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627. Camnetics.CamTrax64.v2011.19.64.173.Win64
628. Camnetics.CamTrax64AI.v2010.14.64.125.X64
629. Camnetics.GearTeq.v2010.18.32.324
630. Camnetics.GearteqAI.v2010.14.32.309
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633. CAMTEK.PEPS.WIREV5.2.32.
634. CAMTraxMFG.2010.Win32
635. CAMWorks.2012.SP0.for.SolidWorks.2011-2012.Win64.
636. Candence.SEV.4.1.Linux
637. Canopus.Edius.Pro.v3.0.1.Update.incl.Keygen-PARADOX
638. Canopus.EDIUS.Professional.v3.22.UPDATE.ONLY
639. CANOPUS.LETS.EDIT.V2.0
640. canopus.procoder.v2.0-nniso
641. CAPSmill.v8.1.
642. Capvidia.3DTransVidia.64x.2009.
643. CAPVIDIA.FLOWVISION.V2.5.4
644. cara.v2.20.plus
645. Carlson.CGSurvey.v7.1.0.10.
646. Carlson.Mining.2009
647. Carlson.SurvCE.2.5
648. Carlson.v2011.for.AutoCAD.v2011.Win32
649. Carrara.PRO.5.1.MacOS.X.
650. Carrara.v5.1.Pro-ISO.3D
651. CarryMap.v3.0.180
652. CASA.Multi-Beam.2D.v1.1.for.iOS
653. CASA.Plane.Truss.2D.v1.3.for.iOS
654. CASE.Studio.v2.18.
655. CaslonFlow.v5.0.0.1
656. CAST.Lighting.WYSIWYG.Suite.v1.0.Release.B
657. CAST.v0.9.11
658. CatalCAD.Sheet.Metal.Modeler.v2006.
659. Catalog.with.Viewer.and.Draper.v2.1C1
660. CATENA.SIMetrix-Simplis.5.6
661. Catia.CAA.v5R16.Rade-ISO
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• Symphony Eda Sonata 3.1 Keygen 10

Symphony Eda Sonata 3.1 Keygen 10

Face Filter Studio 2 Serial Number - bit.ly/2uQ2vdc. Alternative Medicine Acupuncture, Traditional Chinese Medicine, Chinese Herbs. 244th Guards Motorized Rifle Regt, 27th Guards MRD, Cold War.

The Symphony No. 3 in E♭ major, Op. 55, (also Italian Sinfonia Eroica, Heroic Symphony) is a symphony in four movements by Ludwig van Beethoven. One of the composer's most celebrated works, the Eroica symphony is a large-scale composition that marked the beginning of Beethoven's creative middle-period.^[1][2]

Composed mainly in 1803–1804, the work is grounded in the Classical symphonic tradition while also stretching boundaries of form, length, harmony, and perceived emotional and possibly cultural content. It has therefore widely been considered an important landmark in the transition between the Classical period and the Romantic era.

• 2Form
  • 2.1I. Allegro con brio
• 3History
• 4Assessment

Instrumentation[edit]

Symphony No. 3 is scored for two flutes, two oboes, two clarinets in B♭, two bassoons, three horns (the 1st in E♭, C, and F; the 2nd in E♭ and C; and the 3rd in E♭), two trumpets in E♭ and C, timpani in E♭ and B♭ (in the 1st, 3rd, and 4th movements) and in C and G (in the 2nd movement), and strings.

Form[edit]

The work is in four movements:

1. Allegro con brio (12–18 min.) (E♭ major)
2. Marcia funebre: Adagio assai (14–18 min.) (C minor)
3. Scherzo: Allegro vivace (5–6 min.) (E♭ major)
4. Finale: Allegro molto (10–14 min.) (E♭ major)

Depending upon the conductor's style and observation of the exposition repeat in the first movement, the performance time is between 41 and 56 minutes.^{[citation needed]}

I. Allegro con brio[edit]

The first movement, in ³
₄ time, is in sonata form, with typical performances between 12 and 18 minutes long depending on interpretation and whether the exposition repeat is played.^{[citation needed]} Unlike the longer introductions in Beethoven's first two symphonies, the movement opens with two large E♭ major chords, played by the whole orchestra, that establish the tonality of the movement.

The conductor Kenneth Woods has noted that the opening movement of Eroica has been inspired by and modeled on Mozart's Symphony No. 39, and shares many attributes of that earlier symphony which predates this one by a decade and a half.^[3]

Exposition[edit]

The exposition begins with the cellos introducing the first theme. By the fifth bar of the melody (m. 7), a chromatic note (C♯) is introduced, thus introducing the harmonic tension of the work. The melody is finished by the first violins, with a syncopated series of Gs (which forms a tritone with C♯ of the cellos). The first theme is then played again by the various instruments.

The modulation to the dominant key of B♭ appears early (mm. 42–44).^[4]:140 In the traditional analysis, this is followed by three (or in some views, two) transitionalsubjects that significantly expand the scale of the exposition – a lyrical downward motif (mm. 45–56), an upward scale motif (mm. 57–64), and a section beginning with rapid downward patterns in the violins (mm. 65–82).^[a] This eventually leads to a lyrical second theme (m. 83) that arrives 'unusually late'.^[6]:61 After this, the second half of the theme eventually builds to a loud melody (m. 109) that draws upon the earlier downward motif (m. 113). The climactic moment of the exposition arrives when the music is interrupted by six consecutive sforzando chords (mm. 128–131). Later, and following the concluding chords of the exposition (mm. 144–148), the main theme returns in a brief codetta (m. 148) that transitions into the repeat / development.

An alternative analysis holds that the second theme begins earlier at m. 45 with the downward motif. In this view, the traditional harmonic progression of the exposition ends at m. 82, with the new lyrical theme at m. 83 beginning an extension. This pattern would be consistent with that found later in the development, in which the climactic moment leads to a new lyrical theme that launches an extended section. Moreover, the downward motif theme (m. 45) is developed significantly in the next section while the lyrical theme (m. 83) does not appear.^[7]:97 Commenters have also observed that the sonata form and orchestration transitions would be fully preserved by cutting the second half of the exposition (m. 83–143).^[4]:140 However, others have observed that form and orchestration would also be fully preserved if the second and third transitional passages were cut instead (mm. 57–82),^[5] consistent with the traditional analysis.

Development[edit]

The development section (m. 154),^[b] like the rest of the movement, is characterized by harmonic and rhythmic tension from dissonant chords and long passages of syncopated rhythm. Following various thematic explorations and counterpoint, the music eventually breaks into a 32-bar passage (mm. 248–279) of sforzando chords including both 2-beat and 3-beat downward patterns, culminating in crashing dissonant forte chords (mm. 276–279). Commenters have stated that this 'outburst of rage .. forms the kernel of the whole movement', and Beethoven reportedly got out in his beat when conducting the orchestra in Christmas 1804, forcing the confused players to stop and go back.^{[6]:64 & footnote}

Rather than leading to the recapitulation at this point, a new theme in E minor is then introduced instead (mm. 284). This eventually leads to a near-doubling of the development's length, in like proportion to the exposition.^[4]:140

At the end of the development, one horn famously appears to come in early with the main theme in E♭ (mm. 394–395), while the strings continue playing the dominant chord. In the 19th century, this was thought to be a mistake; some conductors assumed the horn notes were written in the tenor clef (B♭–D–B♭–F) while others altered the second violin harmony to G (chord of the tonic), an error that eventually appeared in an early printed version.^{[6]:66 & footnote} However, Beethoven's secretary, Ferdinand Ries, shared this anecdote about that horn entrance:

The first rehearsal of the symphony was terrible, but the hornist did, in fact, come in on cue. I was standing next to Beethoven and, believing that he had made a wrong entrance, I said, 'That damned hornist! Can't he count? It sounds frightfully wrong.' I believe I was in danger of getting my ears boxed. Beethoven did not forgive me for a long time.^[8]

Recapitulation and coda[edit]

The recapitulation section features a sudden excursion to F major early on^[4]:141 before eventually returning to a more typical form. The movement concludes in a long coda that reintroduces the new theme first presented in the development section.

II. Marcia funebre. Adagio assai[edit]

(See also: Beethoven and C minor)

The second movement is a funeral march in the ternary form (A–B–A) that is typical of 18th-century funeral marches,^[9]:1071 albeit one that is 'large and amply developed' and in which the principal theme has the functions of a refrain as in rondo form.^[10]:70 Musically, the thematic solemnity of the second movement has lent itself for use as a funeral march, proper. The movement is between 14 and 18 minutes long.

The opening A-section in C minor begins with the march theme in the strings, then in the winds. A second theme (m. 17) in the relative major(E♭) quickly returns to minor tonality, and these materials are developed throughout the rest of the section.^[6]:72 This eventually gives way to a brief B-section in C major (m. 69) 'for what may be called the Trio of the March',^[6]:72 which Beethoven unusually calls attention to by marking 'Maggiore' (major) in the score.

At this point, the traditional 'bounds of ceremonial propriety' would normally indicate a da capo return to the A theme.^[7]:106 However, the first theme in C minor (m. 105) begins modulating in the sixth bar (m. 110), leading to a fugue in F minor (m. 114) based on an inversion of the original second theme. The first theme reappears briefly in G minor in the strings (m. 154), followed by a stormy development passage ('a shocking fortissimo plunge').^{[10]:70[9]:1072} A full re-statement of the first theme in the original key then begins in the oboe (m. 173).

The coda (m. 209) begins with a marching motif in the strings that was earlier heard in the major section (at mm. 78, 100)^[6]:72 and eventually ends with a final soft statement of the main theme (m. 238) that 'crumbles into short phrases interspersed with silences'.^[10]:70

III. Scherzo. Allegro vivace - Trio[edit]

The third movement is a lively scherzo with trio in rapid ³
₄ time. It is between 5 and 6 minutes long.^{[citation needed]}

The A theme of the outer scherzo section appears pianissimo in the dominant key of B♭ (mm. 7, 21), then piano in the secondary dominant key of F which is when the B part of the outer scherzo is heard (m. 41). This is followed by a pianissimo restart in B♭ (m. 73), which is when the A theme is heard again, leading to a full fortissimo statement in the tonic key of E♭ (m. 93). Later, a downward arpeggio motif with sforzandos on the second beat is played twice in unison, first by the strings (mm. 115–119) and then by the full orchestra (mm. 123–127). This is followed by a syncopated motif characterized by descending fourths (m. 143), leading to the repeat.

The trio section features three horns, the first time this had appeared in the symphonic tradition.^[10]:71 The scherzo is then repeated in shortened form,^[6]:78 except that very notably the second occurrence of the downward unison motif is changed to duple time (mm. 381–384).^[b] The movement ends with a coda (m. 423) – with Beethoven marking the word in the score which was unusual for him – that quickly builds from pianissimo to fortissimo, encapsulating the pattern of the whole movement.^[10]:70

IV. Finale. Allegro molto - Poco Andante - Presto[edit]

The fourth movement is a set of ten variations on a theme. It lasts between 10 and 14 minutes.^{[citation needed]} The theme was previously used by Beethoven in earlier compositions and arguably forms the basis for the first three movements of the symphony as well (see Thematic Origins below).

After a short introduction on the tutti that begins with the mediant chord that transitions to the dominant seventh, the quiet theme, in E-flat major, first appears and then is subjected to a series of ten variations:

Variation 1: The first variation repeats the theme in 'arco' while a new accompaniment is introduced. (E-flat major)

Variation 2: The next variation, containing a new triplet accompaniment, leads to: (E-flat major)

Variation 3: Where a new melody is introduced while the theme is still played on the bass. A brief transitional passage leads to: (E-flat major)

Variation 4: In C minor, a fugue that starts quietly and suspensefully on the strings as it builds up to a dramatic and urgent climax. (See Beethoven and C minor.)

Variation 5: The playful fifth variation is in D major, involving a statement of the theme where the bass instruments play the first clause of the first half in a minor mode, before correcting themselves and moving to the major for the second clause. The variation also includes two virtuosic solo passages for the flute which accompany the melodic line. This directly leads to:

Variation 6: A stormy and raging variation in G minor, reminiscent of a gypsy dance.

Variation 7: An incomplete variation, which begins with a simple restatement of the first half of the theme in C major, before an almost immediate switch back to the minor mode in order to bring the piece into:

Variation 8: Another fugue, now it is bright and energized, as this time it is in the tonic (E-flat major) instead of the submediant. It builds up to a climax again; the orchestra pauses on the dominant of the home key, and the theme is further developed in:

Variation 9: At this point, the tempo slows down to Poco Andante, and the piece becomes more serene and tranquil. The theme, first stated by an oboe and then by the strings, here is contemplative and wistful, bringing a greater sense of depth to what has been heard before. During the second half, another triplet accompaniment is introduced in the higher strings, while the melodies, played by the woodwinds, are made of syncopated 16th and 8th notes. (E-flat major)

Variation 10: The final variation, which is when the 'full image' of The Eroica is heard. Triumphant and heroic plunges are constantly heard on the tutti, with the triplet accompaniment from the previous variation still present, as the melody from the third variation, now victorious and energized, is heard on the brass. (E-flat major)

The symphony ends with a coda, which takes image on all previous sections and variations of the movement. At the end of the coda, there is a surprise, which is when the dynamic changes from pp on the flute and strings only to ff all of a sudden by a huge crash on the whole orchestra, as the tempo abruptly changes from Poco Andante to Presto. A flurry of sforzandos appear, and the finale ends with three large E-flat major chords on the tutti, marked ff.

History[edit]

Beethoven began composing the third symphony soon after Symphony No. 2 in D major, Opus 36 and completed the composition in early 1804. The first public performance of Symphony No. 3 was on 7 April 1805 in Vienna.^[11]

Thematic origins[edit]

There is significant evidence that the Eroica, perhaps unlike Beethoven's other symphonies, was constructed back-to-front.^[10]:75 The theme used in the fourth movement, including its bass line, originate from the seventh of Beethoven's 12 Contredanses for Orchestra, WoO 14,^[12] and also from the Finale to his ballet The Creatures of Prometheus, Op. 43, both of which were composed in the winter of 1800–1801.^[10]:58 The next year, Beethoven used the same theme as the basis for his Variations and Fugue for Piano in E♭ Major, Op. 35, now commonly known as the Eroica Variations due to the theme's re-use in the symphony. It is the only theme that Beethoven used for so many separate works in his lifetime, and each use is in the same key of E♭ major.^[10]:58

The 'Wielhorsky Sketchbook', Beethoven's principal sketchbook for 1802, contains a two-page movement plan in E♭ major that directly follows the sketches for the Opus 35 Variations, which has been identified as being intended for the Third Symphony.^{[13][10]:59[c]} While the movement plan gives no explicit indication regarding the finale, Lewis Lockwood argues that 'there cannot be any doubt that Beethoven intended from the start' to use the same theme (and bass of the theme) that he had just fleshed out in the Opus 35 Variations. Thus, it is argued that Beethoven's initial conception for a complete symphony in E♭ – including its first three movements – emerged directly from the Op. 35 Variations.^[10]:60

The first movement's main theme (mm. 2–6) has thus been traced back to the bass line theme of the Opus 35 variations (E♭, B♭↓, B♭↑, E♭) by way of intermediate versions found in one of Beethoven's sketchbooks.^{[13][10]:60–61} In the second movement, the combined tonality (melody and bass) of the Opus 35 theme's first four bars – E♭, B♭↓, B♭7(A♭)↑, E♭ – appears in slightly altered form as the funeral's march's second theme (E♭, B♭↓, A♭↑, E♮) (mvt. II, mm. 17–20), followed by two sudden forte B♭s that echo later elements of the theme. That same tonality then appears unaltered as the scherzo's main theme (mvt. III, mm. 93–100).^{[citation needed]}

Thus, the first three movements can be viewed as symphonic-length 'variations' on the Opus 35 theme, ultimately anticipating the theme's appearance in the fourth movement. Moreover, Beethoven's choice to begin the symphony with a theme adapted from the bass line is also paralleled in the fourth movement, in which the bass theme is heard as the first variation before the main theme ultimately appears.^{[citation needed]} This again parallels the structure of the Opus 35 variations themselves. Finally, the loud E♭ chord that begins the Opus 35 variations themselves is moved here to the beginning of the first movement, in the form of the two chords that introduce the first movement.

Alternatively, the first movement's resemblance to the overture to the comic opera Bastien und Bastienne (1768), composed by twelve-year-old W. A. Mozart, has been noted.^{[6]:59–60[14]} It was unlikely that Beethoven knew of that unpublished composition. A possible explanation is that Mozart and Beethoven each coincidentally heard and learned the theme from elsewhere.^[15]

Dedication[edit]

Beethoven originally dedicated the third symphony to Napoleon Bonaparte, who he believed embodied the democratic and anti-monarchical ideals of the French Revolution. In the autumn of 1804, Beethoven withdrew his dedication of the third symphony to Napoleon, lest it cost him the composer's fee paid him by a noble patron; so, Beethoven re-dedicated his third symphony to Prince Joseph Franz Maximilian Lobkowitz – nonetheless, despite such a bread-and-butter consideration, the politically idealistic Beethoven titled the work 'Buonaparte'.^[16] Later, about the composer's response to Napoleon having proclaimed himself Emperor of the French (14 May 1804), Beethoven's secretary, Ferdinand Ries said that:

In writing this symphony, Beethoven had been thinking of Buonaparte, but Buonaparte while he was First Consul. At that time Beethoven had the highest esteem for him, and compared him to the greatest consuls of Ancient Rome. Not only I, but many of Beethoven's closer friends, saw this symphony on his table, beautifully copied in manuscript, with the word 'Buonaparte' inscribed at the very top of the title-page and 'Ludwig van Beethoven' at the very bottom ..

I was the first to tell him the news that Buonaparte had declared himself Emperor, whereupon he broke into a rage and exclaimed, 'So he is no more than a common mortal! Now, too, he will tread under foot all the rights of Man, indulge only his ambition; now he will think himself superior to all men, become a tyrant!' Beethoven went to the table, seized the top of the title-page, tore it in half and threw it on the floor. The page had to be recopied, and it was only now that the symphony received the title Sinfonia eroica.^[17]

An extant copy of the score bears two scratched-out, hand-written sub-titles; initially, the Italian phrase Intitolata Bonaparte ('Titled Bonaparte'), secondly, the German phrase Geschriben auf Bonaparte ('Written for Bonaparte'), four lines below the Italian sub-title. Three months after retracting his initial Napoleonic dedication of the symphony, Beethoven informed his music publisher that 'The title of the symphony is really Bonaparte'. In 1806, the score was published under the Italian title Sinfonia Eroica .. composta per festeggiare il sovvenire di un grande Uomo ('Heroic Symphony, Composed to celebrate the memory of a great man').^[18]

Early performances and reviews[edit]

Composed from the autumn of 1803 until the spring of 1804, the earliest rehearsals and performances of the third symphony were private, and took place in the Vienna palace of Beethoven's noble patron, Prince Lobkowitz. An account record dated 9 June 1804, submitted by the prince's KapellmeisterAnton Wranitzky, shows that the prince hired twenty-two extra musicians (including the third horn required for the 'Eroica') for two rehearsals of the work.^[19] The fee paid to Beethoven by Prince Lobkowitz would also have secured further private performances of the symphony that summer on his Bohemian estates, Eisenberg (Jezeří) and Raudnitz (Roudnice). The first public performance was on 7 April 1805, at the Theater an der Wien, Vienna; for which concert the announced (theoretical) key for the symphony was Dis (D♯ major, 9 sharps).^[20]

Reviews of the work's public premiere (on 7 April 1805) were decidedly mixed. The concert also included the premiere of a Symphony in E flat major by Anton Eberl (1765–1807) that received better reviews than Beethoven's symphony.^[20][21] One correspondent describes the first reactions to the Eroica:

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Musical connoisseurs and amateurs were divided into several parties. One group, Beethoven's very special friends, maintains that precisely this symphony is a masterpiece.. The other group utterly denies this work any artistic value .. [t]hrough strange modulations and violent transitions .. with abundant scratchings in the bass, with three horns and so forth, a true if not desirable originality can indeed be gained without much effort. *** The third, very small group stands in the middle; they admit that the symphony contains many beautiful qualities, but admit that the context often seems completely disjointed, and that the endless duration .. exhausts even connoisseurs, becoming unbearable to the mere amateur. To the public the symphony was too difficult, too long .. Beethoven, on the other hand, did not find the applause to be sufficiently outstanding.^[22]

One reviewer at the premiere wrote that 'this new work of B. has great and daring ideas, and .. great power in the way it is worked out; but the symphony would improve immeasurably [] if B. could bring himself to shorten it, and to bring more light, clarity, and unity to the whole.'^[23] Another said that the symphony was 'for the most part so shrill and complicated that only those who worship the failings and merits of this composer with equal fire, which at times borders on the ridiculous, could find pleasure in it'.^[24] But a reviewer just two years later described the Eroica simply as 'the greatest, most original, most artistic and, at the same time, most interesting of all symphonies'.^[25]

The finale in particular came in for criticism that it did not live up to the promise of the earlier movements. An early reviewer found that '[t]he finale has much value, which I am far from denying it; however, it cannot very well escape from the charge of great bizarrerie.'^[26] Another agreed that '[t]he finale pleased less, and that 'the artist often wanted only to play games with the audience without taking its enjoyment into account simply in order to unloose a strange mood and, at the same time, to let his originality sparkle thereby'.^[27] An exhaustive review of the work in a leading music journal made an observation that may still be familiar to first-time listeners: 'this finale is long, very long; contrived, very contrived; indeed, several of [its] merits lie somewhat hidden. They presuppose a great deal if they are to be discovered and enjoyed, as they must be, in the very moment of their appearance, and not for the first time on paper afterwards.'^[28] A review of an 1827 performance in London wrote that this particular performance 'most properly ended with the funeral march, omitting the other parts, which are entirely inconsistent with the avowed design of the composition'.^[29]

Manuscripts and editions[edit]

The original autograph manuscript does not survive. A copy of the score with Beethoven's handwritten notes and remarks, including the famous scratch-out of the dedication to Napoleon on the cover page, is housed in the library of the Gesellschaft der Musikfreunde in Vienna. A first published edition (1806) of Beethoven's Eroica is on display at the Lobkowicz Palace in Prague.^[30]

Several modern scholarly editions have appeared in recent decades, including those edited by Jonathan Del Mar (published by Bärenreiter), Peter Hauschild (Breitkopf & Härtel), and Bathia Churgin (Henle).

Assessment[edit]

Significance[edit]

The work is a milestone work of classical-style composition; it is twice as long as the symphonies of Joseph Haydn and Wolfgang Amadeus Mozart – the first movement is almost as long as a typical Classical symphony (with repetition of the exposition). Thematically, it covers more emotional ground than Beethoven's earlier symphonies, and thus marks a key milestone in the transition between Classicism and Romanticism that would define Western art music in the early decades of the nineteenth century.^{[citation needed]}

The second movement especially displays a great emotional range, from the misery of the funeral march theme, to the relative solace of happier, major-key episodes. The finale displays a similar emotional range, and is given a thematic importance then unheard of. In earlier symphonies, the finale was a quick and breezy conclusion; here, the finale is a lengthy set of variations and a fugue.^[31]

Critical opinion[edit]

• In the Treatise on Instrumentation and Orchestration (1844, 1855), Hector Berlioz discussed Beethoven's orchestral use and applications of the horn and of the oboe in this symphony.^[32]
• The critic J. W. N. Sullivan said that the first movement expresses Beethoven's courage in confronting deafness; the second movement, slow and dirge-like, communicates his despair; the third movement, the scherzo, is an 'indomitable uprising of creative energy'; and the fourth movement is an exuberant outpouring of energy.^[33]
• In Metamorphosen, Study for 23 Solo Strings (1945), Richard Strauss presents themes similar to the funeral march of the Sinfonia Eroica; near the conclusion of the Metamorphoses, the bass quotes the funeral march proper from the Sinfonia Eroica. Academics speculate that Strauss's sub-title 'In Memoriam' refers to Ludwig van Beethoven.^[34]
• In the recording Eroica (1953) and in the book The Infinite Variety of Music (1966), the conductor and composer Leonard Bernstein said that the first and second movements are 'perhaps the greatest two movements in all symphonic music'.^[5][35]
• In the article, 'Beethoven's Cry of Freedom' (2003), the Marxist critic Gareth Jenkins said that in the Sinfonia Eroica 'Beethoven was doing for music what Napoleon was doing for society – turning tradition upside down', and so embodied the 'sense of human potential and freedom' that first appeared during the French Revolution.^[36]
• In 2016, the Eroica was named the greatest symphony of all time by BBC Music Magazine, in a survey of 151 conductors working across the world.^[37]

Use as funeral music[edit]

Since the 19th century, the adagio assai second movement has been a common funeral march played at state funerals, memorial services, and commemorations.

• In 1847, the symphony's second movement was played at the funeral of the German composer Felix Mendelssohn.^[38]
• In 1940, F. Scott Fitzgerald died while listening to a recording of this symphony.^[39]
• In 1945, Serge Koussevitzky performed the second movement to mourn the death of the US President Franklin D. Roosevelt.^[40]
• In 1957, Bruno Walter performed the entire symphony as the memorial concert for the conductor Arturo Toscanini.^[41]
• On November 22, 1963, the Boston Symphony Orchestra gave an impromptu performance of the second movement of the Eroica symphony to mourn U.S. President John F. Kennedy, who was assassinated earlier that day.^[42]
• In 1972, the Munich Philharmonic under Rudolf Kempe played the second movement at the funeral of the eleven Israeli athletes killed in the Munich massacre that occurred at the 1972 Summer Olympics.^[43]

Cinema[edit]

In 2003, a Simon Cellan Jones-directed BBC/Opus Arte made-for-television film, Eroica, was released, with Ian Hart as Beethoven. The Orchestre Révolutionnaire et Romantique, conducted by Sir John Eliot Gardiner, performed the Eroica symphony in its entirety. The subject of the film is the private 1804 premiere of the work at the palace of Prince Lobkowitz (Jack Davenport). The film is based in part on Ferdinand Ries' recollections of the event.^[44] In the film Beethoven does not learn that Napoleon has crowned himself Emperor of France until after the performance of the symphony is over – while having dinner with Ferdinand Ries. Rather than tearing up the title page of the symphony, he simply crumples it up.^{[citation needed]}

See also[edit]

Notes[edit]

1. ^Bernstein identifies three transitional subjects,^[5] while Grove identifies two.^[6]:60–61
2. ^ ^abMeasure numbers in this article follow the traditional system, in which the measures of first endings are not counted.
3. ^Lewis Lockwood credits Nathan Fishman as being the first to identify this movement plan as being intended for the Third Symphony.^{[10]:244 n. 15}

References[edit]

1. ^The Symphony, ed. Ralph Hill, Pelican Books (1949), p. 99.
2. ^Symphony No. 6 in F Major, Op. 68 Pastorale (Schott), ed. Max Unger, p. vi.
3. ^Explore the Score – Beethoven: Symphony No. 3 in E-flat major, Opus 55, Sinfonica eroica, Kenneth Woods, 27 January 2016
4. ^ ^abcdCooper, Barry, Beethoven (Oxford University Press 2008)
5. ^ ^abcBernstein, Leonard, Eroica analysis (audio recording, 1956–57, to accompany 1953 Decca recordings), re-released by Deutsche Grammophon ('Original Masters' series) in 2005, Bernstein Eroica analysis 1/3 on YouTube
6. ^ ^abcdefghiGrove, George, Beethoven and his Nine Symphonies (Novello and Co., 1896), available on IMSLP (visited May 21, 2017)
7. ^ ^abSipe, Thomas, Beethoven: Eroica Symphony (Cambridge University Press 1998)
8. ^Ries, Ferdinand; Franz Wegeler; Frederick Noonan (translator) (1987). Beethoven Remembered: The Biographical Notes of Franz Wegeler and Ferdinand Ries. Arlington, Virginia: Great Ocean Publishers. p. 69. ISBN978-0-915556-15-1.
9. ^ ^abRoden, Timothy J.; Wright, Craig; and Simms, Bryan R., Anthology for Music in Western Civilization, Vol. 2 (Schirmer 2009)
10. ^ ^abcdefghijklLockwood, Lewis, Beethoven's Symphonies – An Artistic Vision (W. W. Norton & Company, New York 2015)
11. ^Beethoven, Kegan Paul, Trench, Trübner & Co., London, 1930, p. 112 ^{[author missing]}
12. ^Beethoven, Ludwig van Beethoven's Werke, Serie 2: Orchester-Werke, No. 17a, 12 Contretänze (Leipzig, Breitkopf & Härtel 1864), available on IMSLP (visited May 20, 2017
13. ^ ^abFishman, Nathan (ed.), Kniga eskizov Beethovena za 1802–1803, 3 vols. (Moscow 1962). Citation based on unpaginated translation available at AllThingsBeethoven.com, 'A translation of Nathan Fishman's analysis of the sketches for the Third Symphony contained in the Wielhorsky sketchbook' (visited May 20, 2017).
14. ^Bastien et Bastienne (Media notes). Paul Derenne, Martha Angelici, André Monde, Gustave Cloëz orchestra. L'Anthologie Sonore. 1940. FA 801-806.CS1 maint: others (link)
15. ^Gutman, Robert W., Mozart: A Cultural Biography, 1999, p. 242
16. ^'Lobkowicz Family History'. Lobkowicz Collections. Retrieved 11 February 2014.
17. ^Eroica, Napoleon Series.
18. ^Dahlhaus, Carl. Ludwig van Beethoven, Approaches to his Music. Clarendon Press, 1991, pp. 23–25.
19. ^Account record currently on display in the exhibition at the Lobkowicz Palace, Prague.
20. ^ ^abGrove's Dictionary of Music and Musicians, 5th ed., 1954, Eric Blom, ed.
21. ^Beach, David; Mak, Su Yin Susanna (2016). Explorations in Schenkerian Analysis. ISBN9781580465595.
22. ^Der Freymüthige vol. 3, Vienna, 17 April 1805 (17 April 1805): 332. Reprinted in translation in Senner, Wayne M.; Wallace, Robin, and Meredith, William, The Critical Reception of Beethoven's Compositions by His German Contemporaries, volume 2 (2001), p. 15, available at http://digitalcommons.unl.edu/unpresssamples/5 (visited May 21, 2017).
23. ^Allgemeine musikalische Zeitung, vol. 7, 'Vienna, 9 April' (1 May 1805): 501–02, reprinted in translation in Senner et al. vol. 2, p. 17
24. ^Berlinische musikalische Zeitung, vol. 1, 'Miscellaneous News, Vienna, 2 May 1805' (1805): 174, reprinted in translation in Senner et al. vol. 2, p. 18
25. ^Journal des Lulus und der Modern, vol. 23, 'On Permanent Concerts in Leipzig during the Previous Semiannual Winter Season' (1807), reprinted in translation in Senner et al. vol. 2, pp. 35–36.
26. ^Allgemeine musikalische Zeitung, vol. 9, 'News, Mannheim' (28 January 1807): 285–86, reprinted in translation in Senner et al. vol. 2, p. 19.
27. ^Allgemeine musikalische Zeitung, vol. 9, 'News, Prague' (17 June 1807): 610, reprinted in translation in Senner et al. vol. 2, p. 34.
28. ^Allgemeine musikalische Zeitung, vol. 9, 'Review' (18 February 1807): 321–33, reprinted in translation in Senner et al. Vol. 2, p. 30.
29. ^The Harmonicon, vol. 5, pt. 1, p. 123, 'Review of Royal Academic Concert on April 30, 1827' (1827), available on Google Books (visited May 21, 2017).
30. ^This 1st ed. comprises 18 parts, and contains corrections made by Beethoven. Wien Kunst-u. Industrie-Comptoir, PN 512.
31. ^Bernstein, Leonard, The Infinite Variety of Music, Hal Leonard Corporation, ISBN978-1-57467-164-3
32. ^Eroica SymphonyArchived 16 May 2007 at the Wayback Machine, Wiſdom Portal.
33. ^Sullivan, J.W.N. (1936). Beethoven: His Spiritual Development. New York: Alfred A Knopf. pp. 135–36. Retrieved 1 February 2017.
34. ^Jackson, Timothy L. (1997). 'The Metamorphosis of the Metamorphosen: New Analytical and Source-Critical Discoveries'. In Bryan Gilliam (ed.). Richard Strauss: New Perspectives on the Composer and His Work. Duke University Press. pp. 193–242. ISBN978-0-8223-2114-9. Retrieved 19 October 2011.
35. ^Bernstein, Leonard (2007). The Infinite Variety of Music. ISBN9781574671643.
36. ^Jenkins, Gareth. 'Beethoven's Cry of Freedom', Socialist Worker (UK) 4 October 2003.
37. ^Brown, Mark (4 August 2016). 'Beethoven's Eroica voted greatest symphony of all time'. The Guardian. Retrieved 29 September 2017.
38. ^Wilfrid Blunt, On Wings of Song, a biography of Felix Mendelssohn, London 1974.
39. ^Graham, Sheilah (1976). The Real F. Scott Fitzgerald: Thirty-Five Years Later. New York: Grosset & Dunlap. ISBN978-0-448-11875-8.
40. ^American Heritage.
41. ^Music and Arts.Archived 8 June 2007 at the Wayback Machine
42. ^Bennett, Susan (2003). President Kennedy Has Been Shot: Experience the Moment-to-Moment Account of the Four Days that Changed America. Naperville, Illinois: Sourcebooks Mediafusion. ISBN978-1-4022-0158-5.
43. ^'Terror at the Games' by Daniel Johnson, The Wall Street Journal, 13 April 2012
44. ^Eroica on IMDb

External links[edit]

• George, Christopher T. (December 1998). 'The Eroica Riddle: Did Napoleon Remain Beethoven's 'Hero?''. Beethoven: Letters, Journals and Conversations. Napoleonic Scholarship: The Journal of the International Napoleonic Society. 1. ISBN978-0-8371-9899-6.
• Prof John A Rice. 'Beethoven, Reicha and the Eroica'.Cite web requires website= (help), article about the debate between the two men on fugal theory and practice during the symphony's gestation
• Symphony No. 3 is available in PDF format created from MuseData.
• Symphony No. 3: Scores at the International Music Score Library Project (IMSLP)
• Media:
  • Eroica website from SF Symphony's 'Keeping Score' with Analysis, Background and Commentary by Michael Tilson Thomas (needs Flash).
  • Discovering Music, BBC Radio 3. Videos of an analysis and complete performance of the symphony. The analysis is by Stephen Johnson and the symphony is performed by the BBC National Orchestra of Wales, under Christophe Mangou. Listening notes for the symphony are also available here.
  • The Eroica Effect, Helsingborg Concert Hall. Complete performance of the symphony. The symphony is performed by the Helsingborg Symphony Orchestra, under Andrew Manze.
  • Symphony No. 3, complete performance by the New York Philharmonic, directed by Bruno Walter, available at the Internet Archive.